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I love movies.  Between Korea and my son, I haven’t had much time to keep up with the latest offerings churned out by Hollywood.  Perhaps even more than watching movies, I enjoy following the movie industry.  For example, I love playing a game called Hollywood Stock Exchange (HSX), a free game site where you "invest" in upcoming films and "hot" actors.  It’s a great way for me to test my investing mettle against my potential as a movie studio executive.  Although I’ve been too busy to play lately, my ranking is still in the top 4% of HSX traders.  I’m a methodical, patient investor who makes modest bets on movies.  I recently read that Hollywood studios suffered through their 18th straight decline in weekend box office revenues, a modern day record.  What gives?  Why have movie box office receipts declined so dramatically this year?  Is it because Napster has undermined the movie industry and people are skipping movies because they can download them for free to their iPods?  Hardly.  This box office decline is due to a confluence of factors.  I see this trend continuing unless the movie industry changes its business model to accommodate a new reality.  An industry that routinely hundreds of millions of dollars in investment on films is vulnerable to failure and business downturns, and it needs to adjust because its market is moving away from it.

 
Here are some reasons why Hollywood’s box office has declined:
  1. The rise of alternative entertainment options, particularly gaming.  The gaming industry, fueled by Sony’s PlayStation, Microsoft’s Xbox, Nintendo, Sega, and a slew of game makers such as Electronic Arts is fast capturing the eyeballs of America.  Individual game releases are viewed in the vein of movies–they are costly to make, are preceded by marketing blitzes, and have a limited shelf life.  A successful game like "Grand Theft Auto" or "Halo" can make millions.  Legions of Gen Y’ers and Gen X’ers ages 10 to 40 are increasingly turning away from sitting in a movie theater to other entertaining pursuits.  They want interactive experiences.  Aside from being there for the occasional epic moment such as the end of the "Star Wars" saga, or the highly anticipated "The Matrix" sequel, they prefer to read the book or wait for the video.  Movie studios need to consider how to make their offering more interactive beyond movie web sites with flashy online content.
  2. Movie tickets are expensive and theaters are too inconvenient.  Hollywood may have reached the near-term limit on how much it can get away with charging for a ticket.  When it costs you $17 for a movie ticket, a small popcorn, and a soda, you know you’re paying too much.  And that’s just for yourself!  Plus, movie theaters are too far away and too much of a hassle for many people to bother with nowadays.  Movie studios need to figure out how to bring their product to the masses, rather than expecting the masses to come to them.  The movie distribution network and ticket-revenue schemes inked between studios and cinema owners is as outdated as the traditional automobile dealer network.  It needs to figure out how to deliver content dynamically; for example, combining the concept of pay per view with movie distribution.  Would you pay as much or more than a movie ticket to watch that brand new movie release on your digital cable?  The answer is probably yes.  The studios need to work with the likes of Comcast and DirecTV to offer another outlet to distribute original features.
  3. Studios are not producing original, compelling content.  You’re probably read this time and again, but it is so true.  Just look at the top movies so far this summer.  Another "Star Wars" film, another "Batman" film, a remake of the TV series, "Bewitched," a remake of "Herbie, the Love Bug," another zombie sequel, and another CGI animated film featuring cute animals.  Can’t wait to see that remake of "War of the Worlds," another alien disaster flick, or yet another comic book turned into a movie ("Fantastic Four")?   "Mr. and Mrs. Smith" is the only high-grossing feature with a somewhat original theme, although it borrows heavily from classics such as "The Scarecrow & Mrs. King," "The War of the Roses," and Schwarzeneggar’s "True Lies."   Just like television needs to lay off its incessant urge to turn everything into a reality show, the movie studios need to throttle back on the number of remakes and sequels it makes.  Indie film makers are keeping alive the flame of originality, although there’s no reason why Hollywood can’t make an original film that appeals to mass audiences.  Start by reworking the canned plotline we all know and expected:  develop character, key moment in character’s life, character responds, climax, happy ending.
 

Books by MG EdwardsMG Edwards is a writer of books and stories in the thriller and science fiction-fantasy genres. He also writes travel adventures and children’s books. A former U.S. diplomat, he served in South Korea, Paraguay, and Zambia before leaving the Foreign Service to write full time.

Edwards is author of six books. His memoir, Kilimanjaro: One Man’s Quest to Go Over the Hill, was finalist for the Book of the Year Award and the Global eBook Award. He has published four children’s picture books in the World Adventurers for Kids Series: Alexander the Salamander; Ellie the Elephant; Zoe the Zebra; and a collection featuring all three stories. His book Real Dreams: Thirty Years of Short Stories is an anthology of 15 short stories.

Edwards lives in Taipei, Taiwan with his wife Jing and son Alex. He has also lived in Austria, Singapore and Thailand. For more books or stories by M.G. Edwards, visit his web site at www.mgedwards.com or contact him by e-mail at me@mgedwards.com or on Twitter @m_g_edwards.

© 2017 Brilliance Press. All rights reserved. No part of this work may be reproduced or transmitted without the written consent of the author.

1 Comment

  1. Wade's Gravatar Wade
    June 28, 2005    

    Sadly… The Matrix sequels, were a low point. :-)I have to agree with most of what you wrote… I would rather spend my $15-$20 on a DVD that I can watch at home on my home theater system (multiple times) than spend $15-$20 to see it once in a theater. However there are a few movies that do warrant a visit to the theater, and those include the Lord of The Rings movies. Sadly, most of the time now when I go to the theater is through work and I don’t have to pay for it. And it is sad that is $8.25 for a matinee, and then if you want popcorn and a soda that is another $7-$10 depending on what you get.I think there are still some good movies out there, such as "Million Dollar Baby", "Mystic River", "Crash", "The Interpreter". But, the movie industry has been this way for a very long time. If I asked you to name all the films that Judy Garland appeared in, most people can only name the one obvious one… "The Wizard of Oz", when she appeared in 35 films.BTW, I saw "Herbie Fully Loaded" last weekend with my VW club, as the theater asked us to bring our cars… My reaction… "Herbie Rocks!!!!" 🙂 While there are a few inacuracies, it was still a fun and cute movie, and now I sort of want to go back and watch all of the other Herbie movies. :-)One reaction I noticed about Star Wars: Episode III was that everyone was like "There weren’t any real suprises…" I told people that it is kind of hard to have surprises when it is a prequel as everyone already knows what happens… It is hard to have a "Luke… I am your father!" type moment. Upon saying that one of the Indian guys I work with (Indian as in from India) kind of laughed and was like the "’Luke, I am your father!’ wasn’t a suprise… I had to remind when Empire Strikes Back first hit the theaters, that line was a surprise and shock, as there were only 4 people in the whole world that knew "the truth", and they were George Lucas, Irvin Kirshner, Mark Hamil, and James Earl Jones. David Prowse (guy in the Darth Vader suit) didn’t know as during the filming they told him to say something like "Obi-Wan killed your father", which actually after seeing Episode III, "is true from a certain point of view" :-)When Tolkein’s publisher insisted on spliting the book up into three separate books (Tolkein wanted it published as one book), he like the titles "Fellowship of the Ring" and "The Two Towers", but did not like the title of the third book, "The Return of the King." His primary complaint about the title "The Return of the King" was "It tells you what happens!!!!!" I remember after a friend got into watching the movies, after seeing "The Two Towers" at the theater, she was like "I have to wait a whole year to see what happens next?!?!?!" I told her that she could read the book, and if you look at the title of the third film/book, it is not too hard to figure out how it ends… 🙂 But, at least we can thank Tolkien for throwing a few twists and turns in their. For instance, when Frodo is stung by Shelob, my friend actually fell for the "Frodo died" thing. There was one other little twist that she fell for that I can’t remember.-Wade H.

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